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EDUCATION |
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Goldsmiths, University of London, MA in Interactive Media: Critical Theory and Practice (2001-2003) |
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International Center of Photography, New York, Certificate Programme: General Studies in Photography (1991-1992) |
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Det Fynske Kunstakademi, Denmark, Grundskolen [~ Undergrad.]: Drawing, Printmaking, Sculpture (1987-1989) |
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RESIDENCIES/ FELLOWSHIPS |
| 2025 |
UNIDEE Residency Programs, Fondazione Pistoletto — Cittadellarte, Biella, Italy |
| 2020 |
Wellcome Collection, The Wellcome Trust, London |
| 2018 |
Saari Residence, Mynämäki, Kone Foundation, Finland |
| 2012|3 |
Camberwell College of Arts, London |
| 2011 |
re:place, Film and Video Residency at Level Centre, Rowsley, UK |
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Digital Rules & Regs, curated by videoclub, Brighton |
| 2010 |
Away Day: The Writer's House, POST Projects, London |
| 2008 |
Academic Film Center, Belgrade |
| 2006|7 |
The School of Art, Architecture and Design, London Metropolitan University |
| 2006 |
Doncaster Museum and Art Gallery + Cannon Hall Museum, Barnsley (Funded by Arts Council England) |
| 1997 |
The Mercedes Benz Residency, Stantonbury Expressive Arts Faculty, Milton Keynes |
| 1996 |
Bikubenfonden, Paris, France |
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GRANTS AND AWARDS |
| 2020 |
a-n Bursary: Time, Space, Money, a-n The Artists Information Company, UK |
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Arts Council England Emergency Response Fund |
| 2019 |
The Pollock-Krasner Foundation, New York |
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Arts Council England Project Award |
| 2017 |
Jerwood Drawing Prize (Shortlist), UK |
| 2011 |
Arts Council England Project Award |
| 2008 |
Knud Højgaards Fond, Denmark |
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Passage: International Competition for Architectural Drawings (Shortlist), Henning Larsen Foundation, Denmark |
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The David Gluck Memorial Bursary for Drawing (Shortlist), UK |
| 2007 |
List of Significant Achievements Award, Academic Film Center, Belgrade |
| 2006 |
Forum 2006|2007, Artquest, University of the Arts, London |
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The Prints and The Paper Exhibition Award, San Diego Arts Institute, USA |
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SOLO EXHIBITIONS/ LIVE EVENTS |
| 2020 |
Gesture/ Pause/ Proximity, Wellcome Collection, London (with Orlagh Woods/ LIVE) |
| 2017 |
Unauthorized, SFMOMA Solo Show, San Francisco Museum of Modern Art, USA (Catalogue) |
| 2016 |
Towards the Mean, The Barbican, London |
| 2015 |
Words/ Voids, Sara Lane Studios, London (LIVE) |
| 2011 |
100 things not worth repeating, from the page to the stage, X Marks the Bökship, London (LIVE) |
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For the Record — a written conversation, Away Day: The Writer’s House, Post Projects, London (LIVE) |
| 2010 |
For the Record — a written conversation, Art Writing Field Station, Five Years, London (LIVE) |
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For the Record — a written conversation, The Pigeon Wing, London (LIVE)
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The New Kew Illustrated Archive of Trees, Royal Botanical Gardens, Kew, UK |
| 2009 |
For the Record — a written conversation, Interrupted Conversations: James Taylor Gallery, London (LIVE) |
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The Edmonton Mapping Project, Arts & Events, Enfield, London |
| 2008 |
Writing Live, Sara Lane Studios, London |
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One| Two, Tate Modern and The British Film Institute, London |
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Everyone goes a bit crazy at times, Galerie Art Claims Impulse, Berlin |
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Drawn Into Site, commissioned by Campaign for Drawing, The British Library, London (LIVE) |
| 2004 |
Space Open, Sara Lane Studios, London |
| 1996 |
Marianne Holm Hansen, Museet for Fotokunst, Odense, Denmark |
| 1995 |
Reframing the Past… The University Of Derby, UK |
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Objects of Reframing the Past… Optimum Gallery, Derby, UK |
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SELECTED GROUP EXHIBITIONS |
| 2024 |
By the Means at Hand, Contribution to Vlatka Horvat’s project for the Croatian Pavilion, The Venice Biennale |
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ABC to Z: Abecedaria & Dictionaries from Franklin Furnace Artists' Books Collection, Pratt Institute, New York |
| 2022 |
Biennale.No, Noemata.Net, Norway |
| 2020 |
Seriality — Multiplicity — Repetition,
Aarhus School of Architecture, Denmark |
| 2019 |
Draft, Knot, Wake, UnderExposed, Galway, Ireland |
| 2018 |
Misreadings, APT Gallery, London |
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Jerwood Drawing Prize, East Gallery, Norwich — UK Touring: The Edge, Bath; Sidney Cooper Gallery, Canterbury; Vane Gallery, Newcastle; Drawing Projects, Trowbridge (Catalogue) |
| 2017 |
Unauthorized, SFMOMA Solo Show, San Francisco Museum of Modern Art, USA |
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Künstlerbücher für Alles/ Artists' Books for Everything, Weserburg | Museum für Moderne Kunst, Bremen, Germany (Catalogue/ Publication) |
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Lost/ Found Biennial, Corner Projects, Chicago |
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Jerwood Drawing Prize, Jerwood Space, London — Touring: East Gallery, Norwich, UK (Catalogue) |
| 2015 |
The Future is Here Again: Visual Language, AC Institute, New York |
| 2014 |
This Page Intentionally Left Blank, Akbank Art Center, Istanbul (Catalogue) |
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Topography Disarranged: Landscape, Dislocation and Place, The Queen of Hungary, Aylsham, Norfolk |
| 2013 |
Liminal, Camberwell Space, London |
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The Library of Lost Books, The Library of Birmingham (Catalogue/ Publication) |
| 2012 |
Media [Circus], La Mama, New York |
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Video in Progress — Fields of the Performative, Koroška Gallery, Slovenj Gradec, Slovenia (Touring) |
| 2011 |
again: on repetition — an informal symposium on repetition in practice, [ space ], London |
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100 things not worth repeating, X Marks the Bökship, London (Book Launch Performance Reading) |
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Views:Visions, Donumenta 2011, Städtische Galerie im Leerer Beutel, Regensburg, DE |
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Wirksworth Festival, Derbyshire, UK |
| 2010 |
Instructions for Initial Conditions, Drift Station and Parallax Space, Lincoln, Nebraska (Catalogue) |
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The Department of Micro Poetics, AC Institute, New York |
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WRITING/EXHIBITION/PUBLICATION, The Pigeon Wing, London |
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Video in Progress — Fields of the Performative, Vortex, Skopje, Macedonia (Touring) |
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One Day Wonder, Valentines Mansion, London |
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Screening 1, The Public, West Bromwich, UK (Catalogue) |
| 2009 |
Europa Neurotisch #2, Petersburg Project Space, Amsterdam |
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Writing Exhibitions, Stanley Picker Gallery — 7.9 Cubic Metres, Kingston University London |
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See the Voice: Visible Verse, Pacific Cinèmathëque, Vancouver (Screening) |
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Video in Progress - Fields of the Performative, Kino Šiška, Ljubljana, Slovenia (Touring) |
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Common Ground, Norwich Arts Centre (Screening) |
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Darklight X: New World Order, The Joinery, Dublin |
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Recycled Frequencies, Wolstenholme Projects, Liverpool |
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The 5th Berlin International Directors Lounge, Scala e.V., Berlin |
| 2008 |
Videoart Session, Galerie Art Claims Impulse, Berlin |
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Video Lounge, Alternative Film|Video — Memory, Academic Film Center, Belgrade (Catalogue) |
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The David Gluck Memorial Bursary for Drawing, Mall Galleries, London |
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Passage, Competition for Architectural Drawing, Hasdorffs Hus, Copenhagen (Catalogue) |
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Nordic Drawings, Skellefteå Konsthall, Sweden — Touring: Rackstadmuséet, Sweden |
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On the Move, Everson Museum of Art, Syracuse, New York (Screening) |
| 2007 |
Web Biennial — Festival of Contemporary Networked Art, Istanbul Contemporary Art Museum, Turkey |
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Alternative Film|Video — Associations, Academic Film Center, Belgrade (Catalogue) |
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Chisenhale Biennale, London |
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RETURNS, London Metropolitan University, London (Catalogue) |
| 2006 |
Mark, Dartington College of Arts, Totnes (Catalogue) |
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Alternative Guides|Memory Maps — Residency Intervention, Cannon Hall Museum, Barnsley |
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Most Desirable Object Survey — Residency Exhibition, Doncaster Museum and Art Gallery |
| 2005 |
I-Fjords: Netart from Northern Europe, Javamuseum, Cologne (Touring) |
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I-Fjords: Netart from Northern Europe, @ Electronic Art Meeting, Ecotera, Pescara, Italy (Touring) |
| 2004 |
404 — International Festival of Electronic Art, Castagnino Art Museum, Rosario, Argentina |
| 2003 |
Space Open, Space, London |
| 2002 |
Tidal Pulse — an exhibition on the theme of slowness, Museet for Fotokunst, Odense, Denmark |
| 2000 |
Selected from Museet for Fotokunst's Permanent Collection, Denmark |
| 1998 |
Revealing and Concealing — Enclosure|Entrapment, Cable Street Gallery, London |
| 1997 |
Revealing and Concealing — Defining & Undermining Identity and its Space, Milton Keynes Gallery, UK |
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Flexible 2: Pan-European Art, The Whitworth Art Gallery, Manchester (Touring|Catalogue) |
| 1996 |
Flexible 2: Pan-European Art, Gallery Awangarda, Wroclaw, Poland (Touring|Catalogue) |
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Flexible 2: Pan-European Art, Nederlands Textiel Museum, Tilburg, Holland (Touring|Catalogue) |
| 1995 |
Women on the Streets, Camerawork, London |
| 1994 |
Works on Paper, The Midge Karr Arts Institute, New York |
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Forårsudstillingen [The Spring Exhibition], Kunsthal Charlottenborg, Copenhagen, Denmark |
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National Showcase Exhibition, Alternative Museum, New York |
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Beyond Body: Animate — Inanimate, 494 Gallery, New York |
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F.U.C.K|M.U.C.K [Female|Male Understanding Carnal Knowledge], Michigan Gallery, Detroit, USA |
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The Prints and The Paper, San Diego Arts Institute, USA |
| 1993 |
On Shaky Ground, 494 Gallery, New York |
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Forårsudstillingen [The Spring Exhibition], Kunsthal Charlottenborg, Copenhagen, Denmark |
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BIBLIOGRAPHY |
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Books/ Publications |
| 2020 |
VOID As (A) — A Proposition. Artist's Book. Marianne Holm Hansen, London, 2020 (More Information) |
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Typing (Not Writing) — LINES. Monograph. Edited and produced by Petra Schulze-Wollgast,
Published by Plaugolt SatzWechsler, Germany and Timglaset Editions, Sweden (More Information) |
| 2011 |
100 things not worth repeating: on repetition. Artist's Book. LemonMelon, London, 2011 (More Information) |
| 2009 |
An Alternative Guide to Edmonton Green. Map Publication, commissioned by LB of Enfield, London |
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Publication Contributions/ Artist's Pages |
| 2022 |
Typing (not writing) in 'ToCall Magazine', No.16/Online, PSW, Rostock, Germany |
| 2021 |
I am Here; See No Ideas, Hear No Ideas (Marianne Holm Hansen & Dani Spinosa), in '14 Ways of Being Kinder to the Earth: a Moment's Notice', G. Betts and D. Beaulieu (eds), No Press, Banff, Canada |
| 2019 |
Typing (not writing) in 'ToCall Magazine', No.5, PSW, Rostock, Germany |
| 2015 |
For the Record…[what?] in Cin Ayşe, Istanbul (Issue 13, Spring 2015) |
| 2014 |
Typing (not writing) in 'Possible Content for 18 Pages|...'', Franz Thalmair, Revolver Publishing, Berlin |
| 2010 |
For the Record — Script for a Written Conversation in 'Instructions for Initial Conditions', Exhibition Publication,
Essay by Marissa Vigneault. Drift Station and Parallax Space, Lincoln, Nebraska |
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For the Record in 'WRITING EXHIBITIONS: An Assembling', David Berridge (ed), VerySmallKitchen, London |
| 2008 |
Recording the Ride in 'SCIENCE', Ralph Dorey, Lindsey Officer (eds), The Arts Pneumonia Journal, London |
| 1996 |
Marianne Holm Hansen. Artist's pages in 'Flexible 2, Pan-European Art', Nederlands Textielmuseum, Holland |
| 1994 |
Marianne Holm Hansen. Artist's pages in 'Hidden Children', Shari Diamond, Hana Iverson (eds), Journal, New York |
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Press/ Interviews/ Anthologies/ Catalogues |
| 2022 |
Eva Heisler: 'Because English offers no feminine form of pelican' — A Portfolio of International Writing, Tupelo Quarterly (TQ28, Vol VI), Tupelo Press, North Adams, MA, USA |
| 2021 |
Dani Spinosa: 'Intersponse 4: Marianne Holm Hansen', Periodicities: Journal of Poetry and Poetics, Ottawa, Canada |
| 2019 |
Sarah Peace (ed): ‘WordPower: Language as Medium’, Library X, London (Book I: pp.122-23; II: pp.172-173) |
| 2018 |
Diego Espíritu: ‘Máquinas post-concretas: Un ensayo sobre type-writer art’, Centro de Cultura Digital, Colonia Juárez, Mexico |
| 2017 |
Enar de Dios Rodríguez; Lasse Scherffig; Ana María Montenegro Jaramillo: Unauthorized SFMOMA Show, San Francisco, CA |
| 2016 |
Russell Martin: 'Marianne Holm Hansen: The Work of Art', Artquest, London (Interview) |
| 2015 |
Nico Vassilakis: ’Five Pieces by Marianne Holm Hansen’, VisPo, Coldfront Magazine, New York |
| 2014 |
Franz Thalmair: 'This Page Intentionally Left Blank', Akbank Sanat, Istanbul (Catalogue/ Artist's Pages) |
| 2014 |
Barrie Tullett (ed), 'Typewriter Art: A Modern Anthology', Laurence King Publishing, London |
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Neil Elcome: 'Close Up: Small Wide Views — Marianne Holm Hansen', Shutter Hub, UK |
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Judith Stewart: 'Some Thoughts On Landscape', Queen of Hungary Project Space, Aylsham |
| 2013 |
Jessica Glaser, Susan Kruse (eds): 'Bringing Back the Book', The Library of Lost Books, Birmingham |
| 2012 |
David Berridge: 'Type Tying Typings Typist Tybe: Marianne Holm Hansen talks Artist and Typewriter', VerySmallKitchen, London |
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David Berridge: 'Sob Basic Wirtten with a Wooden Laptop: Typewriter as Art Practice', VerySmallKitchen, London |
| 2010 |
David Berridge: 'Art Writing Field Station: The Lexicon Returns', VerySmallKitchen, London |
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Caitlin Griffiths: 'Screening 1', The Public, West Bromwich, UK (Catalogue) |
| 2009 |
Metka Zupanić, Vesna Bukovec: 'Video in Progress – Fields of the Performative', KOLEKTIVA, Slovenia |
| 2008 |
The Henning Larsen Foundation, DK: 'Passage: International Competition for Architectural Drawings' (Catalogue) |
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Jason Franz (ed): 'International Drawing Annual 2007', Manifest Press, Cincinnati, Ohio |
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Svend Smedberg: 'Tecknandets undflyende essens', Arvika Nyheter, Sweden |
| 2007 |
DKSG Press, Belgrade: 'Associations — Alternative Film|Video 2007' (Catalogue) |
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London Metropolitan University: 'RETURNS' (Catalogue) |
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Juliette Brown: 'Chisenhale Biennale', a-n Magazine, UK, 11/2007 |
| 2006 |
David Gilbert (ed), et al: 'MLA Residencies', Creative Partnerships & Arts Council England |
| 2000 |
Finn Thrane: 'Tidal Pulse — an exhibition on the theme of slowness', KATALOG, Denmark, 12/2000 |
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Finn Thrane: 'Odense Foto Triennale, Tema: Langsomhed [Slowness], Denmark (Catalogue) |
| 1997 |
William Packer: 'Revealing and Concealing', MK Gallery, Milton Keynes (Catalogue) |
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Francesca Alden: 'Marianne Holm Hansen: Revealing and Concealing', MK Gallery, Milton Keynes (Catalogue) |
| 1996 |
Beatrijs Sterk: 'Flexible 2, Pan-European Art', Textielforum e.V. Arbeitsgemeinschaft f. Textil, 4/1996 |
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Weekkrant Suriname, Netherlands: 'Verrassende beeldende textielkunst' |
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Anna van der Burgt: 'Gietrubber en specerij zingen lof van textiel', Brabrant Cultureell, Holland |
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Mogens Damgaard: 'Lidenskabelig Dokumentation', Fyens Stiftstidende, Denmark |
| 1995 |
Gordon Parker: 'Displacements', Photocopy Magazine, Derby |
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Montage Gallery, Derby:
'Displacements: Aspects of Change in the Late Twentieth Century’ (Catalogue) |
| 1993 |
Jan Steving: 'Marianne Holm Hansen: New York', Foto, Film & Video, Denmark |
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CURATING/ RESEARCH PROJECTS |
| 2019-21 |
Gesture/ Pause/ Proximity, 2019-2021
An interdisciplinary research project, co-curated with visual arts producer Orlagh Wood, to explore to what extent a greater awareness of non-verbal communication may enable us to develop more inclusive conversation and, eventually, the spaces for that communication to take place. Funded by Arts Council England and the Wellcome Trust, London. |
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- The project includes a public research residency at The Wellcome Collection, London, as well as ongoing conversations between invited artists, academics, performers, writers, scientists, psychotherapists and architects. (Outline
 Gesture/ Pause/ Proximity, 2019-2021)
|
| 2016 |
Towards the Mean, The Barbican, London
Installation commission for The Barbican Foyer Space (16 March – 19 June 2016). Includes: |
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- Towards the Mean: Identity in Britain Today — a panel discussion, co-curated with Orlagh Woods (The Barbican), to expand on questions raised by the installation, with presentations by Claudia Aradau (KCL Reader in International Politics), Kannan Navaratnem (Psychoanalyst) and Rebecca Omonira-Oyekanmi (Writer/ Reporter).
|
| 2007-11 |
On Repetition, 2007-2011
Studio and public projects to explore repetition and its usefulness. Includes: |
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- CIRCULAR WALKS (and the notion of repetition) — a series of largely studio-based projects spanning video, photography, animation, drawing and installation to practically and conceptually explore the notion of repetition and its potential as a model for progression and expression.
- 100 things not worth repeating — a series of public projects, events, symposia and publication, to collectively examine the value and effectiveness of repetition in general and repetition as a model for progression in particular. Funded by Arts Council England.
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COLLECTIONS |
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Bauhaus-Universität Weimar Artist's Book Collection, Germany |
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Bibliothèque Kandinsky, Centre Pompidou, France |
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Bikubenfonden Denmark |
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The British Library, Artist's Book Collection, London |
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Center for Artists’ Publications, Weserburg, Bremen, Germany |
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Chelsea College of Arts Library Special Collections, London |
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Colección Astas Romas, Argentina |
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De Kunstenbibliotheek, Ghent, Belgium |
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Doncaster Museum & Art Gallery, UK |
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École Nationale Supérieure de la Photographie d'Arles, France
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Franklin Furnace, New York |
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Museet for Fotokunst, Denmark |
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Tate, Library and Archive Collections, UK |
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UCL Special Collections, UK |
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— Private Collections Brazil, Europe, USA |
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TEACHING+ |
| 2024|.. |
Photography Lecturer, Nottingham Trent University |
| 2023|.. |
Lecturer: Visual Culture and Final Major Projects, London College of Contemporary Arts |
| 2020|.. |
Photography Lecturer (Online), StudelMediaLive, New York |
| 2014|.. |
Teaching Artist, The Royal Institute of British Architects, London: Artist-led Workshops (Drawing/ Photography/ Place) |
| 2011|.. |
Artist Lecturer, Tate Modern/ Tate Britain, London: Exhibition Lectures and Collection Talks |
| 2023 |
Guest Advisor, Artquest, London: One to One Mentoring Sessions for London-based artists |
| 2007|19 |
Artist Educator, The British Library, London, Learning and Exhibition Programmes: Artist-led Workshops and Research |
| 2014|15 |
Visiting Artist, Sir John Soane's Museum, London, Public Programme: Lines of Enquiry — Workshop Series |
| 2012|13 |
Guest Lecturer/ Tutor, BA Photography and MA Fine Art, Camberwell College of Arts, London |
| 2008|12 |
Visiting Lecturer/ Tutor, MA in Artist Teachers and Contemporary Practices, Goldsmiths, University of London |
| 2010|11 |
Lead Artist, Teachers in Partnership, Tate Britain, London (3-term Course on the Gallery as Site for Learning and Research) |
| 2007|10 |
Artist Educator, Tate Britain, London, Learning and Public Programmes: Artists-led Study-days and Research |
| 2003|08 |
Artist Educator, Tate Modern, London, Education and Interpretation Core Team: Artist-led Workshops, Research |
| 2006|07 |
Guest Lecturer/ Tutor, BA Photography, BA and MFA Fine Art, The School of Art, London Metropolitan University |
| 2000|03 |
Media Designer/ Tutor, Video, Graphic Arts and Design, Holland Park School, 6th Form College, London |
| 1998|00 |
Digital Photography Tutor, Insight Arts Trust, London (Workshops for Young Offenders and Adults on Probation) |
| 1998|00 |
Photography Lecture: Theory and Practice, School of Black and White Photography, London |
| 1997|98 |
Photography Worker, Monochrome Photography, London (On-Site, Outreach and Community Programmes) |
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TALKS/ WORKSHOPS/ PARTICIPATORY PROJECTS |
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Arnolfini, Bristol, UK |
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Artquest, London |
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Bloomberg Space, London |
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Brighton Photo Biennale, UK |
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The British Film Institute, London |
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Charleston, an Artist’s House and Garden, Lewes, UK |
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City of London & Cripplegate Photographic Society, London |
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Goldsmiths, University of London |
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Hayward Gallery, London |
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The Historical Association, UK |
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The Hunterian Museum, Royal College of Surgeons, London |
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King's College London |
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La Mama, New York |
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MK Gallery, Milton Keynes, UK |
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National Maritime Museum, London |
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National Portrait Gallery, London |
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Royal Geographical Society, London |
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Serpentine Gallery, London |
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Studio Voltaire, London |
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Tate Britain, London |
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Tate Modern, London |
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Tate Liverpool |
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Wellcome Collection, London |
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Whitechapel Gallery, London |
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X Marks the Bökship, London |
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